Brazilian actress and mannequin Maria Fernanda Candido is to play the feminine lead in veteran Italian auteur Marco Bellocchio’s “The Traitor,” a biopic of Tommaso Buscetta, the primary high-ranking member of Cosa Nostra to interrupt the Sicilian Mafia’s oath of silence.
Candido, who most not too long ago starred in Rede Globo’s standard prime-time cleaning soap “Fringe of Want,” will play Buscetta’s third spouse, Maria Cristina de Almeida Guimaraes, the daughter of an upper-crust Brazilian lawyer. She performed an necessary half in her husband’s determination in 1984 to start out cooperating with Italian and, later, American prosecutors.
She is believed to have been essential in prompting Buscetta to show in opposition to the Corleonesi faction within the first main “betrayal” inside Cosa Nostra’s high-ranks. Buscetta’s testimony about heroin smuggling within the ”pizza connection” case within the mid-1980s allowed him to acquire U.S. citizenship and a spot within the witness safety program. De Almeida Guimaraes stayed by Buscetta’s aspect till he died of most cancers in 2000 in an undisclosed U.S. location.
Capturing on “The Traitor” begins Monday in Sicily with Italian A-lister Pierfrancesco Favino (“The Catcher Was a Spy”) enjoying Buscetta, as beforehand introduced.
Apart from Candido, different newly introduced solid members comprise Italy’s Luigi Lo Cascio, who will likely be enjoying Salvatore “Totuccio” Contorno, a Mafioso who adopted in Buscetta’s footsteps by turning into a turncoat; Fabrizio Ferracane within the position of mob boss Giuseppe “Pippo” Calò; and Fausto Russo Alesi as anti-Mafia Justice of the Peace Giovanni Falcone, who elicited Buscetta’s testimony and was blown up by Cosa Nostra.
From Sicily the shoot will transfer to Rome, Cologne, London, and Rio de Janeiro, the place “The Traitor” is deliberate to wrap Dec. 22. The pic’s cinematographer is Vladan Radovic (“Like Loopy”), whereas Oscar-winner Nicola Piovani (“Life Is Stunning”) is dealing with the musical rating.
Bellocchio’s prize-winning physique of labor spans from “Fists within the Pockets” (1965) to “Candy Goals,” which launched from Cannes in 2016. The director is understood for bringing the complexities of Italian historical past, and hypocrisy, to the large display screen.
“The Traitor” is a four-country co-production between Italy’s IBC Film, Kavac Movie and RAI Cinema; France’s Advert Vitam, Arte France Cinema and Canal Plus; Brazil’s Gullane; and Germany’s The Match Manufacturing facility, which is dealing with worldwide gross sales.