Turkish actor Cagatay Ulusoy performs the titular character in Netflix’s first Turkish unique, “The Protector,” presently in manufacturing on its third season. His function as younger antiques supplier Hakan Demir, who discovers he hails from an historic line of superheroes and should defend present-day Istanbul from evil forces, marks the primary foray into fantasy tropes for a Turkish present.

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Ulusoy spoke to Selection about how Netflix is disrupting manufacturing fashions and storylines in Turkey’s TV market, which, regardless of the influence of the nation’s financial turbulence, stays among the many world’s high 5 exporters of serial dramas.

Why is “The Protector” such a novelty?

This sequence introduces a brand new style [of Turkish dramas] to world audiences. It’s a singular mixture of fantasy and superhero plot-lines combined with the weather of social drama and romance which can be typical of Turkish TV reveals. As a substitute of a mainstream superhero narrative, it’s extra an epic story with a contemporary hero at its middle, however the plot is fast-paced and filled with sudden twists. There’s additionally a component of comedy from time to time to stability the tone.

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By way of format, the episodes are a lot shorter (33-45 minutes) than typical Turkish dramas – shorter, for instance, than in “Medcezir,” the Turkish adaptation of “The O.C.,” by which you starred beforehand. Has taking pictures shorter episodes made a distinction for you by way of your performing model, of the way in which you get into character?

It’s really manner higher for me. It means I can actually focus and provides my character my full vitality. It makes me extra artistic.

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Netflix has greenlit 4 seasons, so it seems to be like ‘The Protector’ goes to be maintaining you busy for some time. I’ve heard manufacturing schedules for TV sequence in Turkey could be fairly powerful. How powerful is yours?

We’re working below extra humane situations than these in most different Turkish TV sequence. Netflix makes use of a unique manufacturing system. We work simply 10 hours a day, 5 days per week. I really feel extra productive, and so do the opposite skills and the crew. Sometimes, every episode in a Turkish TV sequence is, like, 120-150 minutes lengthy. Which means it’s important to work a lot tougher to wrap up an episode in per week. With this present, quite a bit is altering by way of the strategy to storytelling, places, characters and likewise working situations. It’s like the principles of the sport are being rewritten.

Talking of writing, are you able to speak to me about the remainder of the present’s artistic workforce?

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I work with three totally different administrators for every season, which has by no means been performed in Turkey earlier than. It looks like a posh system, but it surely’s really not. Every director brings their perspective for the episodes they deal with, and having totally different visions makes the present brisker and extra diversified. By way of writers, certainly one of them is Jason George [who also serves as executive producer], who did “Narcos.” He has been the “third eye,” because it have been, of the present. His world expertise and totally different imaginative and prescient has been immensely useful.


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